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When we larp, we make deductions about other characters and the types of role-play they will provide. Through speech, costuming, body language, and other signs, each player signals to others how to interact with their character. As you play, analyze…

When you write as the character you are going to play in a larp, you remember — not just the background and story of the character provided to by the organizers, but the mind of the character as you want…

We draw from our experiences to give you tools as a victim player. What can you do to help tell the story of the relationship? How can you support the perpetrator’s game or have agency even when your character doesn’t?

The way we portray sex work can reproduce harmful biases in the world, and can also alienate and isolate your co-players — more of whom than you expect may have themselves done sex work.

As a player, I build my larp characters using the tools of sketch comedy. The style may be different, but the toolbox is the same. The crude basics offered by sketch comedy provide a functional basis on which to build…

Dominant characters come in different forms: authority figures (benevolent or not), antagonists, or outright villains. However, each of these figures presents the same challenges: establishing and displaying dominance in a credible manner, managing interactions with dominated characters, and balancing character…