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04 [['''Editorial (2001)]] ''' by Anethe Alfsvåg, [[Erlend Eidsem Hansen]], Ingrid Storrø, Tommy Finsen, Bjørn Rugstad and Helge H. Jensen.
05 '''Welcome ''' by Benedikte
06 '''KP Online ''' by Tommy Finsen
07 '''GiHa-DraMaK 07 ''' by [[Erlend Eidsem Hansen]]
'''THE ARTICLES'''
12 [[== The Articles == '''Knutepunkt; A retrospective vizualisation]] ''' by Lars Munck
16 [['''Developing a Character]] ''' by Holger Jacobsson
18 [['''Pre-LARP Communication]] ''' by Cathrine Movold
21 [['''Cultural Studies and Role-Playing]] ''' by Frans Mäyrä
23 [['''The LRP-phenomenon]] ''' by Lars Ivar and Owesen Lein-Borge
26 [['''Norwegian Vampire LARP]] ''' by Torgrim Husvik
28 [['''Factors of LARP]] ''' by Morten Gade
30 [['''Historical Worlds]] ''' by Henrik Summanen
33 [['''Before Full Time]] ''' by Ingrid Fahlgren
35 [['''LARP on the Net]] ''' by Bo Kjellson
36 [['''Experience History]] ''' by Hilde Bryhn, Cathrine Movold and Margrete Raaum
40 [['''Politically Consciousness-Expanding Roleplaying]] ''' by Helge Hiram
43 [['''Why LARP Changed the Society Before 2010]] ''' by Morten Gunnerud
47 [['''Emotions and Authority]] ''' by Ragnhild Hutchison
49 [['''LARP = Sex?]] ''' by Erlend Eidsem Hansen
51 [['''Hidden Plays in Public Places]] ''' by Jonas Nelson
54 [['''Building Dramatics]] ''' by Susanne Gräslund
58 [['''Two-Faced Dogme-Auteur Truth]] ''' by [[Johanna Koljonen]]
61 [['''About the Feminist Movement]] ''' by Staffan Ericsson
62 [['''Warning - Selfdestruction has Started]] ''' by Thomas Davidsson
'''THE MANIFESTS'''==The Manifests ==
66 Introduction
67 [['''Introduction''' '''Rules of the Post Bjorneborgian School]] ''' by [[J. Tuomas Harviainen]] and Lihaa Kuvitelmille
68 [['''The Manifest Sunday]] ''' by Emil B. (Boss), Martin B. (?), Gabriel W. (Widing), and Tobias W. (Wrigstad)
69 [['''Brosme 9,9 kg]] ''' by Egil Moe
70 [['''Dogma ‘99]] ''' (by a host of larp designers)
'''THE COUNTRIES'''== The Countries ==
74 [['''Larping in Sveden]] ''' by [[Anna Westerling]]
76 [['''Larping in Denmark]] ''' by Mikkel Sander
77 [['''Rovantemi]] ''' by Matti Nuorto
78 [['''Larping in Norway]] ''' ed. Ingrid Storrø
80 [['''In the Nordic Castle of Murmansk]] ''' by [[Hanne Grasmo]]
82 [['''Larps and Stripes]] ''' by [[Mike Pohjola]]
85 THE REGULATIONS== The Regulations ==
no edit summary
== Content ==
A series of humorous drawings.
A suggestion to drop writing long background stories and descriptions for roleplaying characters and focus on the personal qualities and experiences that the players would want to explore.
A short primer on the principles of communicating information to the players before a game and the exciting new opportunities of digital media.
The lack of and trouble of doing academic studies of roleplaying, due to its manifold character and grassroots nature.
Summary of an article. Ritual theory as applied to larp. The unique conditions of audience-less performance and the liminal spaces that allow for behavious unaccepted in normal life. The duality of actual experiences in a fictional setting.
An example of a vampire larp campaign in Norway and how it differs from the original Mind’s Eye Theatre system from the US, illustrating some particularities of norwegian larp.
Seven factors that players would want out of larp: Adrenaline, fun, intrigues, personality, education, media, art.
Ideas and examples of possible cooperation between museums and larpers, the kinds of thing each can gain from the other.
Two examples of larps that had to be stopped before time, due to developments that hurt the play of a large part of the participants.
How larpers are using chatrooms to continue the life of their characters between play.
Example of and advice for using a larp to teach history to primary school students.
Philosophical perspectives on larp as a post-modern media and it’s ability to change political viewpoints.
A scifi-style look at how larp was supposed to save the world in just ten years.
How a higher degree of women in the Oslo larp scene has brought emotional depth and a focus on relationship play into the hobby. As well as giving opportunities for women to take on roles of authority and the problems faced due to gendered socialization.
A look at how larp is like sex in many ways, ex. the use of body language and the intensity between two people.
A thorough dissection of the dangers and moral implications of pervasive larping, using numerous examples.
A text on creating better dramatic structures for games, focusing on the individual player perspective. Goes through three-level models of design, dramatic webs, fateplay and assorted narrative techniques.
A comparison of the state of larp with contemporary media, specifically film and larp theory with political thinkers, to examine theorists who do not connect with reality of larp.
An ironic counterstatement.
A warning that if we keep suppressing the dissenting voices, larp itself will die.
A series of statements on how larp ought to be and how to go about making it so.
A look at the state of larp in various countries.
== External links ==
[http://rollespilsakademiet.dk/pdf/kp2001book.pdf Scanned copy of The Book]
