Difference between revisions of "Beyond Role and Play"

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* Genre, Style, Method and Focus: Typologies for Role-Playing Games by [[Jaakko Stenros]]
 
* Genre, Style, Method and Focus: Typologies for Role-Playing Games by [[Jaakko Stenros]]
 
* On the Importance of Body Language in Live-Action Role-play by [[Terhi Säilä]]
 
* On the Importance of Body Language in Live-Action Role-play by [[Terhi Säilä]]
* Rules of Engagement by [[Emma Wieslander]]
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* Rules of Engagement by [[Eliot Wieslander]]
  
 
GAMES
 
GAMES
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OPENINGS
 
OPENINGS
* Positive Power Drama: A Theoretical and Practical Approach on Emotive Larping by [[Emma Wieslander]]
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* Positive Power Drama: A Theoretical and Practical Approach on Emotive Larping by [[Eliot Wieslander]]
 
* Participatory Education: What and Why by [[Elge Larsson]]
 
* Participatory Education: What and Why by [[Elge Larsson]]
 
* The Storyteller’s Manifesto by [[Aksel Westlund]]
 
* The Storyteller’s Manifesto by [[Aksel Westlund]]

Revision as of 14:41, 23 April 2015

Template:Book Beyond Role and Play was published in conjunction with the Solmukohta 2004 conference.

Contents

THEORY

  • Immersive Story: A View of Role-Played Drama by John H. Kim
  • A Semiotic View on Diegesis Construction by Mika Loponen & Markus Montola
  • Tilting at Windmills: The Theatricality of Role-Playing Games by Edward Choy
  • Role-Playing: A Narrative Experience and a Mindset by Satu Heliö
  • Notes on Role-Playing Texts by Jaakko Stenros
  • Autonomous Identities: Immersion as a Tool for Exploring, Empowering and Emancipating Identities by Mike Pohjola
  • The Character Interpretation: The Process Before the Immersion and the Game by Ari-Pekka Lappi
  • On the Transmutation of Educational Role-Play: A Critical Reframing to the Role-Play in Order to Meet the Educational Demands by Thomas Henriksen
  • Deconstructing Larp Analysis or, “Let’s Recognize a Bias Where There Is One” by J. Tuomas Harviainen

PRACTICE

  • Character Design Fundamentals for Role-Playing Games by Petri Lankoski
  • Narrative Function: A Larpwright’s Tool by Erling Rognli
  • Chaotic Role-Playing: Applying the Chaos Model of Organisations for Role-Playing by Markus Montola
  • Genre, Style, Method and Focus: Typologies for Role-Playing Games by Jaakko Stenros
  • On the Importance of Body Language in Live-Action Role-play by Terhi Säilä
  • Rules of Engagement by Eliot Wieslander

GAMES

  • “I Could a Tale Unfold Whose Lightest Word Would Harrow up Thy Soul”: Lessons from Hamlet by Johanna Koljonen
  • Post Panopticon by Gabriel Widing
  • Temporary Utopias: The Political Reality of Fiction by Tova Gerge
  • Infinite Possibilities: Mellan Himmel och Hav From a Science Fiction Point of View by Karin Tidbeck
  • Creating Music for Live-Action Role-Play by Henrik Summanen

OPENINGS

Downloads