Difference between revisions of "Role, Play, Art"
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| − | {{ | + | {{Infobox book|name=Role, Play, Art|image=2006-Role.Play.Art.jpg|published=2006|author={{Unbulleted list|[[Thorbiörn Fritzon]]|[[Tobias Wrigstad]]}}|isbn=91-631-8853-8|country=Sweden}} |
'''Role, Play, Art''' was published in conjunction with the [[Knutpunkt 2006]] conference. | '''Role, Play, Art''' was published in conjunction with the [[Knutpunkt 2006]] conference. | ||
| + | ==Contents== | ||
| + | |||
| + | *A Short Comment On the Compatibility of Immersion and Narrativism, [[Martin Brodén]] | ||
| + | *Games and Creativity Learning, [[Thomas Duus Henriksen]] | ||
| + | *Interaction Codes—Understanding and Establishing Patterns in Player Improvisation, [[Eirik Fatland]] | ||
| + | *The Theatre Connection, Kristine Flood | ||
| + | *To Live Happily Ever After—Techniques for Ending a Larp, Ada Fredelius | ||
| + | *The Character, the Player and Their Shared Body, [[Tova Gerge]] & [[Gabriel Widing]] | ||
| + | *Testing Larp Theories and Methods–Results of Year Two, J. Tuomas Harviainen | ||
| + | *With Role-Playing in Mind—A Cognitive Account of Decoupled Reality, Identity and Experience, Andreas Lieberoth | ||
| + | *Prosopopeia—Playing on the Edge of Reality, [[Markus Montola]] & Staffan Jonsson | ||
| + | *The Art of Experience, [[Juhana Pettersson]] | ||
| + | *Persona, Ryan Rohde Hansen & Maya Krone | ||
| + | *Play is Political, Johan Söderberg | ||
| + | |||
==Downloads== | ==Downloads== | ||
| − | * [ | + | |
| + | *[//nordiclarp.org/w/images/7/74/2006-Role.Play.Art.pdf Role, Play, Art] (PDF) | ||
| + | |||
| + | == External Links == | ||
| + | |||
| + | * http://jeepen.org/kpbook/ | ||
| + | |||
| + | [[Category:Books]] | ||
Latest revision as of 23:27, 26 April 2020
 | |
| Author | |
|---|---|
| Country | Sweden |
| Published | 2006 |
| ISBN | <templatestyles src="Module:Citation/CS1/styles.css" />91-631-8853-8 |
Role, Play, Art was published in conjunction with the Knutpunkt 2006 conference.
Contents
- A Short Comment On the Compatibility of Immersion and Narrativism, Martin Brodén
- Games and Creativity Learning, Thomas Duus Henriksen
- Interaction Codes—Understanding and Establishing Patterns in Player Improvisation, Eirik Fatland
- The Theatre Connection, Kristine Flood
- To Live Happily Ever After—Techniques for Ending a Larp, Ada Fredelius
- The Character, the Player and Their Shared Body, Tova Gerge & Gabriel Widing
- Testing Larp Theories and Methods–Results of Year Two, J. Tuomas Harviainen
- With Role-Playing in Mind—A Cognitive Account of Decoupled Reality, Identity and Experience, Andreas Lieberoth
- Prosopopeia—Playing on the Edge of Reality, Markus Montola & Staffan Jonsson
- The Art of Experience, Juhana Pettersson
- Persona, Ryan Rohde Hansen & Maya Krone
- Play is Political, Johan Söderberg
Downloads
- Role, Play, Art (PDF)
