Difference between revisions of "Tape Larp"

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In a tape larp, adhesive tape is used to define spaces in the gaming area by marking them out on the floor. It is a cheap and easy way to build scenery, and lends [[transparency]] to the game.
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== Influences ==
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The concept of using tape for imaginary walls and set pieces was borrowed from the movies Mandelay and Dogville, by Danish director Lars von Trier. Similar aesthetics were utilised by the German drama scholar, director and playwrite Bertolt Brecht, and has seen continuous use in stage theatre throughout the late 20th century.
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== Tape larps ==
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* [[Persona]] (2005)
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* [[There is nothing behind the mask - the mask is the truth]] (2007)
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* [[Familjen Andersson]] (2008)
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* [[Megazonlajvet]] (2009, 2010)
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* [[När våra öden möts/When Our Destinies Meet|When Our Destinies Meet]] (2009, 2010)
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* [[Beyond the Mountains of Madness]] (2009, 2010)
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* [[Vi kommer snart att passera genom en tunnel]] (2010)
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* [[Saker som händer]] (2010)
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* [[Kollektivet Lyckan]] (2010)
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* [[B.M.X.: The Baader-Meinhof Experiment]] Riksteatern version (2010)
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* [[The Kick Inside]] (2010)
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* [[The Families of Olsson, Karlsson, Nilsson]] (2010)
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==See also==
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* [[Black box]]
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* [[Transparency]]
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==External links==
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* http://piratepad.net/tejplajv
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[[Category:Concepts]]

Revision as of 17:13, 16 July 2012

In a tape larp, adhesive tape is used to define spaces in the gaming area by marking them out on the floor. It is a cheap and easy way to build scenery, and lends transparency to the game.

Influences

The concept of using tape for imaginary walls and set pieces was borrowed from the movies Mandelay and Dogville, by Danish director Lars von Trier. Similar aesthetics were utilised by the German drama scholar, director and playwrite Bertolt Brecht, and has seen continuous use in stage theatre throughout the late 20th century.

Tape larps

See also

External links